Coco Montoya
uses blues as a blasting off point for his emotional, soulful
music on his new CD Dirty
Deal, which will be released on Alligator on January
16, 2007. With his icy-hot guitar playing and his passionate,
unaffected vocals, he attacks each of the 11 songs with
deep feeling and ferocious energy. Little Feat members
Paul Barerre, Kenny Gradney, Richie Hayward and
Bill Payne guest. Produced by Barrere and engineer Roger
Cole, Dirty
Deal is Cocos rawest, most stripped-down and
impassioned recording to date. Coco first met Paul Barerre
and Little Feat at a blues festival and according to Barerre,
Cocos playing was inspirational to me - great
tone and attitude.
The band invited Montoya to their annual Feat Festival
in Jamaica two years in a row. Our fans took to him
like butter on bread, recalls Barerre. He fit
in so well with the band that I knew I had to produce him.
I really wanted to get that live feel from him on a recording,
and thats just what we did. He rips the guitar solos,
and his voice is as strong as three-day-old coffee.
Coco maintains an intense touring schedule including major
festivals and headlining dates worldwide. Montoya
is at the forefront of the contemporary blues world
according to Guitar World and will be touring worldwide
in support of his new release.
- - From
RosebudUs
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BILLBOARD
Dirty Deal
COCO MONTOYA
Label: Alligator
Coco Montoya is one of the reasons people
mistakenly think blues is easy music to play. His fierce
attack is so expert yet sounds so effortless that it makes
you believe anyone armed with 12 bars and six strings can
pull it off. That's hardly the case, of course, and the
Albert Collins drummer-turned-guitarist's sixth album separates
the men from the boys with some of Montoya's hottest playing
and most authoritative singing.
The Montoya-penned title track mingles Latin flavors with
a soul melody, while R&B is mined on "Love Gotcha,"
"Clean Slate" and "Ain't No Brakeman"
and New Orleans visited on the lively "Put the Shoe
on the Other Foot." Montoya and company breathe fire
into the standard blues arrangements of his "Coin Operated
Love," Lowell Fulson's "It's All Your Fault"
and Otis Rush's "It Takes Time," while an aching
rendition of Johnny Copeland's "It's My Own Tears"
shows that he can handle slower tempos, too.—
-- Gary Graff,
Billboard
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Few
blues guitarists performing today can top the intensity of
former John Mayall sideman Coco Montoya's torrid, Albert Collins-inspired
attack. Shards of shivering, feedback-enhanced blue notes
fly off the Southern California picker's ax and cut deep into
the rhythm section's grooves on his sixth album.
Little Feat guitarist Paul Barerre helped produce the disc,
which also features Little Feat members Kenny Gradney, Richie
Hayward and Bill Payne on some selections and Montoya's crack
road band on others. The program vacillates between blues-rock
numbers and straight blues, and it is on the latter material,
including tunes by Otis Rush, Johnny Copeland and Lowell Fulson
and Montoya's own rumba-driven "Coin Operated Love,"
that his instrument and voice are at their most gripping.
-- Lee Hildebrand,
San Francisco Chronicle
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Coco's NEW album - Dirty
Deal:
A grizzly-bear guitar tone and diamond-hard riffs are
the strongest
cards of this former Albert Collins and John Mayall sideman.
Montoya
turns them in often on these 11 tunes, right from the opening
"Last
Dirty Deal," which absolutely roars, to the climactic
final solo of
"There Ain't No Brakeman on This Train," which concludes
the album with a flourish of six-string ferocity. Even the
ballads, like "How Do You
Sleep at Night," scream with edgy intensity. That's partly
because
producer Paul Barerre of Little Feat succeeded at capturing
the essence
of Montoya's live sound, but mostly because Montoya's mentor
Collins
put his fiery brand on his apprentice's style. It still burns,
six
albums into Montoya's solo career--especially when he's covering
Collins's "Put the Shoe on the Other Foot," a funky
shuffle full of
bellowing sustained notes and stiletto melodies that reply
to his
singing. That song's declamatory style also serves Montoya's
narrow
vocal range well. And while his lyrics occasionally stumble
into blues
clichés--falling tears, dirty deals--his playing is
unfailingly
eloquent.
--Ted Drozdowski
Amazon.com
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